Nicholas Winton!

Nicholas Winton!

We have a close friend named Debbie. In 1939, her mother Marianne Schorsch was only fifteen years old when she was put on board a special train (kindertransport) as she was in danger of death from the Nazis. It was an Englishman named Nicholas Winton who organized the escape trip for Marianne and hundreds of other children, to save them from the Nazis. Although Marianne is now passed on, my wife and I knew that gentle sweet woman for many years.

A special invitation

Last week, Debbie invited us to go to the cinema and see the film 'One Life' together, a film about Nicholas Winton and the 'kindertransport'. We accepted the invitation without thinking, and the film made a big impression on us.

One Life

Nicholas Winton was a banker and philanthropist, born in London in 1909. He was of Jewish descent, and his own parents immigrated to England from Germany at the beginning of the twentieth century.

At the beginning of the film, you see Winton (Anthony Hopkins) in 1987, as an old man. He wants to get rid of the clutter in his home office. There is a leather case in the cupboard but he has no intention of opening it. We are curious about him, when we are suddenly swept back to Prague in 1939. We see a young Winton there (Johnny Flynn) and the plight of the children in the city moves his heart, so he decides to help them. There are already a few English folk in Prague, trying to help political refugees escape to England. Winton convinces them to help him, and it is a constant battle against the existing bureaucracy. They have to complete paperwork and get visas for the children. Then, travel has to be organized, and host families found for them. And of course, they have to raise money to pay for everything. Winton and the team in Prague are brave. But not only them! Winton's mother (Helena Bonham Carter) is also active and does not take 'no' for an answer from the officials who have the power to shorten the processes! There is a strong emphasis on Winton and the children, so the cruelty of the Nazi regime is not seen much, except indirectly, when you see the Nazis getting rid of the ninth train organized by Winton. The train never got going, because the Nazis stopped it. Winton felt guilty about that most of his life, because he knew that most of the children were lost.

Jumping forward fifty years, you see Winton as an old man again. Until then, Winton had not spoken about his part in rescuing the children. His wife Grete doesn't know about it, until she sees the old book in the leather case. It is filled with photographs, letters from the families and the names of the children. She takes the book to Elisabeth Maxwell, Holocaust researcher, and wife of Robert Maxwell. When Robert hears about Winton, he publishes an article in his 'Sunday People' newspaper, which leads to the 'That's Life' special. Winton is dubbed "Britain's Schindler" by the media, referring to the German businessman Oskar Schindler, who saved 1,200 Jews from the Holocaust.

In a landmark 1988 episode of the BBC TV program 'That's Life', Winton sits in the audience as the TV host, Esther Rantzen, begins to talk about his rescue of Czech children in 1939. As the camera pans over the audience, guests begin to stand up – these are some of the children (now older) that Winton rescued. This is the first time they have seen Winton in fifty years. Eventually, Winton realizes the importance of what he has done. Finally, too, he is able to deal with the guilt and sadness he has carried for the past fifty years, about the ninth train.

Honors

Nicholas Winton received a letter of thanks from the late Ezer Weizman, former president of the State of Israel. He was also made an honorary citizen of Prague. In 2002, Queen Elizabeth II knighted Winton for his services to humanity. He was named a British Holocaust Hero by the British Government in 2010. A statue dedicated to him outside Prague's main train station was unveiled in 2009. Finally, the Czech Republic awarded Winton the Order of the White Lion in 2014 for his rescue of the Czech children.

The Winton Train

On 1 September 2009 a special train took the original kindertransport route. Winton, along with survivors and their families went on the same journey as they had done seventy years before in 1939. Marianne and Debbie were on this train and it was a very special occasion for them. Debbie remembers that event, which gave her a new understanding of what happened. She also realized something else: Even in the abyss of despair, all is not lost. She herself is living proof of that!

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Léirmheas Scannáin: Killers of the Flower Moon!

Movie Review: Killers of the Flower Moon!

My eyes were glued to the big screen every minute of this very interesting film 'Killers of the Flower Moon', masterpiece of director Martin Scorcese. I didn't even take a toilet break, even though the movie is almost three and a half hours long. I hardly took a breath, or blinked my eyes, for fear of missing something important in the story. 'Yes – this film is so enthralling.

The film is based on the popular book 'Killers of the Flower Moon', written in 2017 by journalist David Grann. The book tells the true story of a white businessman and self-proclaimed "true friend" of the Osage Nation (a native tribe). The tribe became rich when oil was discovered on their reservation. The scheme devised by some white men was to marry landowners and then kill them to get their estates. Women were the owners for the most part, as the Osage tribe was a matriarchal one. The story focuses on one native family – the mother (played by Tantoo Cardinal as Lizzie Q) and her four daughters, and what happens to them, especially one daughter who is not yet married.

There are three main characters in this film – Robert de Niro as William Hale, Leonardo diCaprio as Hale's nephew, Ernest Burkhart, and Lily Gladstone as Mollie Kyle – Burkhart's wife. All three give an excellent performance, and in my opinion, Lily Gladstone is on a par with de Niro and diCaprio. Ernest Burkhart is a dullard, and Hale cleverly exploits him, exerting his influence on him strongly. Mollie meets Ernest, her handsome taxi driver, and they fall in love. Therefore, it was not difficult for Hale to convince Ernest to marry Mollie. One by one, her mother and sisters die so that only Mollie is left alive.

Hale then plans to kill Mollie Kyle, and get her estate for his own family through Ernest. There is a twist in the story because Ernest and Mollie are in love, and the relationship between them is central to the story. I will not tell you more about this story now, but you will see the rotten corruption that the Americans, and especially the farmer Hale, played on the natives in the twenties in the past century, through the lens of this horrible story.

Gladstone's opinion

Lily Gladstone (Mollie in the film) has aboriginal blood, so her opinion about the film is very interesting.

“I struggle to think of another film that has been so true to indigenous women. I love my sisters in the film, and they are like family to me,” said Lily.

Mollie's sisters, native actresses Cara Jade Myers as Anna Brown, JaNae Collins as Reta Smith and Jillion Dion as Minnie Smith, are killed for their money.

The scenes with the sisters and their mother speaking their native language together are very powerful. In fact, every scene that shows the Osage language and culture is exciting. Rarely do you see such a realistic representation of the native people in Hollywood.

“Mollie survived but Kyle's three sisters did not. We all know someone, someone in our family, someone in our inner circles, someone we grew up with and we don't know where they are,” Lily said poignantly. With that, they connect the life as shown in the film and the life as it is today, in terms of mistreatment of indigenous people in America.

Conclusion

You can understand this wonderful film on at least two levels. You can take it as it is, that is to say that it features first class actors at work, under the direction of some of the best directors in the world, revealing an interesting story, set in Oklahoma a hundred years ago. It is a tangle of scheming, with love, murder and money as ingredients mixed together to present you with a delicious soup. The audience would be very happy with the film, and that read on it. But another meaning can be superimposed on this original reading, when you recognize that this is not just a work of imagination, but a work based on bitter truth. That is that there was racial and sexual discrimination against the indigenous people, and their lives were of little value. With that background, it was easy for greedy and immoral Americans to kill indigenous women to steal their money. This corruption was widespread, and did not stop until an FBI detective, Tom White (played by Jesse Plemons), came to investigate the murders.

The film steers the light towards the situation of the indigenous people in their own country, almost a hundred years ago. And it raises this question: are the conditions forindigenous people better now than they were then? Unfortunately, that question is not easy to answer! But perhaps, with this film, this important question will be asked more often to the appropriate authorities.

Bottom line: Don't hesitate to see this movie as soon as possible!

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Léirmheas Scannáin: Hallelujah: Leonard Cohen.  A Journey, A Song

Film Review: Hallelujah: Leonard Cohen. A Journey, A Song

Léirmheas Scannáin: Hallelujah: Leonard Cohen. A Journey, A Song

Bono said 'Hallelujah' was the best song ever. Maybe he's right!

Singer-songwriter Leonard Cohen wrote 'Hallelujah' over a period of five years. But the song didn't gain much recognition at first, like Cohen himself - that wouldn't happen for them for a long time. The story of the song and its composer are intertwined, and co-directors Daniel Geller and Dayna Goldfine use that strong connection to create a documentary.

Late Starter

Leonard Cohen was an unusual rock star. This Canadian poet and novelist was 40 years old when Judy Collins (who made Cohen's song 'Suzanne' popular) advised him, saying: "You can't stay hidden any more; you have to sing in public.” Cohen could not sing or play music at the time. But after a while, he became very successful as a musician.

Rejection

Cohen was around fifty years old in 1984, when he finished his song 'Hallelujah'. He collaborated with producer John Lissauer and backing singer Jennifer Warnes to prepare a new album, entitled 'Various Positions'. He sent it to Columbia Records, and Columbia president Walter Yetnikoff asked Cohen to meet with him. Yetnikoff said to him: "Look, Leonard, we know you're great, but we don't know if you are any good!" Yetnikoff refused to release the album. It is noteworthy that there were three great songs on that album - 'Hallelujah', 'Dance Me to the End of Love' and 'Be Your Will'!

John Cale, Glen Hansart agus Jeff Buckley

'Hallelujah' was originally a long song. But when he was working on a Cohen tribute album called 'I'm your Fan', the famous musician John Cale made comprehensive edits to the song before singing it on the album. But there was still an ingredient missing – in the name of Jeff Buckley!

Jeff Buckley was an Irish-American (son of the great musician Tim Buckley, a friend of Cohen), and he started working as a roadie for Glen Hansart and 'The Commitments', when they were on tour in the United States in 1991. Hansart encouraged him to play and sing his own music in the Sin-é cafe in Manhattan. By the way, an Irishman named Shane Doyle opened Sin-É cafe in 1989.

Although the great musician Jeff Buckley released a version of 'Hallelujah' (based on John Cale's arrangement) in 1994 on his album 'Grace', 'Hallelujah' did not reach the top of the charts until 1998. Undoubtedly, Buckley’s accidental death in 1997 brought the song to public attention. When they heard it, they then realized how beautiful 'Hallelujah' was, and especially Buckley's arrangement.

Comeback

Cohen spent 5 years, from 1994 to 1999, in a Zen monastery in Los Angeles. Cohen was regularly plagued by depression, and sought refuge. Eventually, he realized that his cure was not to be had in the monastery and left it. He then released a couple of less successful albums - one in 2001 (Ten New Songs) and another in 2004 (Dear Heather).

But when his manager, Kelley Lynch, stole most of his money, he decided to make a comeback at the age of 73. He put a band together, and they went on tour in 2007. Tickets for their concert were sold out quickly, and they had to add other dates to their schedule. Cohen continued to work like that until 2013, and he was more successful than ever.

From Strength to Strength

The hit film 'Shrek' (2001) had two very popular versions of 'Hallelujah': John Cale's version in the film, and Rufus Wainwright's version on the film's soundtrack.

In 2004, KD Lang released a version of Hallelujah on her album 'Hymns of the 49th Parallel' and sang it at the opening ceremony of the 2010 Winter Olympics.

Alexandra Burke's arrangement, winner of the fifth series of 'The X Factor', went to the top of the charts at Christmas 2008. Then, almost every singer in every talent show around the world started singing 'Hallelujah'.

"We spoke to the busker you see in our film outside the underground train station in Manhattan," said director Goldfine. “And she told us that if she's having a hard time getting an audience and there's no money coming in, she starts playing 'Hallelujah'. She says it works every time.”

What would you say now, Walter Yetnikoff?

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Léirmheas: Poker Face – Macalla ó Ré Eile!

Review: Poker Face - Throwback to another Era!

A detective program recently came out on the Peacock streaming service in the United States. I read a review that piqued my interest and watched the first episode of the series. It instantly reminded me of other detective programs that used to run on TV in the old days – (days) when we only had live TV. We used to know the program schedule by heart, and we knew with certainty what day and time 'Columbo' or 'The Rockford Files' would be on the TV. We all looked forward to the new episodes every week, followed by conversations at home and in the office. What was so special about those programs? I think the main characters had magnetic personalities in different ways. Also, both programs had a layout that was not like other detective programs that used to run (in those days).

Rockford and Columbo!

In 'The Rockford Files', you witness the private life of the detective. You see Rockford in his untidy mobile home on the beach in Malibu in California, and you get to know Rockford himself, his family (his father) and his friends (policeman Denis Becker and ex-prisoner Angel). The person himself comes first in this episode, and after that comes his detective work, which is also quite interesting.

In Columbo's case, on the other hand, you don't see him at home at all. But he has exceptional qualities as a detective. You see a murder happen at the beginning of each episode, and then Columbo targets the murderer. Columbo seems forgetful, and the criminal underestimates his abilities. But when Columbo is about to leave after asking the criminal his questions, and that same criminal is finally breathing a sigh of relief, Columbo turns back to him/her and asks him/her the critical question, which starts like this: “Oh and one more thing…”

But what about the new program 'Poker Face'?

The show's creators, Rian Johnson and Natasha Lyonne, combined elements of 'Columbo' and 'The Rockford Files' to create this modern detective program. Natasha Lyonne is also the detective Charlie Cane in this new series. Natasha is a first-rate actress, who has starred in the famous series 'Orange is the New Black' and 'Russian Doll'. In this series, Charlie used to work as a card sharp in poker tournaments, but she has now retired from that job. She is now a wanderer traveling from place to place doing temporary work. You see Charlie struggling in her private life, and in that way the program is similar to 'The Rockford Files'. She is not an official detective, but murders happen wherever she goes, and she finds out who committed them. Charlie has a special ability that used to be useful to her when she was playing poker, and is also useful to her as an amateur detective. Charlie is a 'lie detector', because she knows whenever someone is telling her a lie. That ability comes into play in the program, and it helps her in her pursuit of the murderer.

The program has a great layout, in my opinion. First, unlike most other detective programs and like 'Columbo', you see the actual murder. Then, you go back earlier than that in the same place, to the time Charlie arrived on the scene. Charlie observes every detail, especially anything that happens in conjunction with the murder. Then she puts all the clues together to piece together an accurate picture of the murder.

Charlie catches the murderer out, when she asks him/her a lot of hard questions. Eventually, the murderer can no longer deny the truth, and admits his/her guilt.

It's a great approach, and I love that last part, when Charlie – the cat, faces the murderer – the mouse! Charlie wins every time without question!

I recommend you watch this series as soon as possible. I don't think it's available in Ireland yet, but no doubt it will be before long.

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Léirmheas: The Banshees of Inisherin!

Review: The Banshees of Inisherin!

This film is a reunion of the director Martin McDonagh and film stars Colin Farrell and Brendan Gleeson. They worked together on the famous film 'In Bruges' in 2008, a film that was very popular.

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Background

In Irish folklore, a banshee is the spirit who screams to indicate that a family member will die soon. An old woman (Mrs. McCormack), who reminds us of a banshee, appears quite often in this film, predicting that a family member will die soon.

The film has a rugged landscape as its’ gorgeous backdrop. It was filmed on location on Inishmore and Achill islands.

The Civil war was going on at the time of the story, and bombs were heard exploding and guns being fired from time to time on the mainland. I was waiting for the affairs of the war to be tied into the story, but this did not happen. Maybe it was just a hint to us that the story was a metaphor, but if so, the similarities between the friendship in the film and the war of friends were not very strong.

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The Story

Pádraic (Farrell) and Colm (Gleeson) have been friends for a long time but suddenly Colm decides to end that friendship. He has grown tired of their conversation in the pub every night, and wants to spend more time composing and playing music.

Therefore, Colm orders Padraic to stay away from him. But it is not easy to avoid anyone, because there is only one pub on the island, where the locals meet all the time. Colm is a musician, and he takes part in the music sessions that take place regularly in the same pub.

Pádraic is a small farmer who lives with his sister in their late parents' house. Colm was Pádraic's only friend, and they would hang out together every night in the pub. Pádraic is a slow-witted man and he does not properly understand what Colm is saying.

Out of loneliness, Colm begins to spend more time with Dominic (Barry Keoghan), a kid who annoys everyone on the island but they feel sorry for him because his father, the island's policeman, is abusive to everyone, his son included.

When Pádraic sees Colm chatting with Dominic in the pub, he is not happy and tries to be friendly with him. Colm becomes cross and threatens that if Pádraic doesn't leave him alone, he will cut off one finger on his left hand every time Pádraic talks to him.

No one knows if he's joking or not, and I'm not going to tell you now what happens after that in the movie in case it would spoil the story!

  

Direction and Cinematography

Martin McDonagh is a first class director, a man at the top of his game, and this film shows how good he is at his craft. McDonagh found the right balance between comedy and tragedy, and opened the door slightly between true story and fantasy, between friendship and enmity, between love and hatred. McDonough emphasizes the main characters and shows us their characteristics, not only with dialogue but especially with their facial expressions.

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Acting

Farrell and Gleeson gave us an excellent performance, and it is unlikely that any other actors would be as powerful as they are in the roles of Pádraic and Colm, and they triumphed in this film. Siobhan (Kerry Condon) is also great in her role as Pádraic's sister, a very intelligent person who stayed at home to look after her brother.

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Conclusion

After seeing the movie, I was kind of uneasy. The film did not have a proper closure, as there were some unanswered questions. I think it would be more difficult for non-Irish people to understand the plot, without knowing the historical context in Ireland at the time. Be that as it may, there is much in the film that is outstanding – the acting, the wild scenes and the cinematography included.

The influence of the director Quentin Tarantino is clearly visible, in my opinion, with the interplay between the gratuitous violence and the burning humor. Although I'm not overly impressed with that genre - it's kind of avant-garde, if you like that genre, you'll enjoy the film. Otherwise, don't bother!

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Léirmheas: An Cailín Ciúin!

Review: An Cailín Ciúin

When I was attending Coláiste na Rinne in the summer, I had the opportunity to see the Irish film ‘An Cailín Ciúin’ at the Movies@Dungarvan cinema in Dúngarbhán. It’s a great film, and it’s no wonder it’s won a lot of awards so far, with maybe a few more to come!

‘An Cailín Ciúin’ was the first Irish language film to win the Irish Academy Award (IFTA) for best film. It received a total of 7 IFTAs. It also broke box office records in Ireland and Great Britain, earning around one million Euros to date, more than four times more than any other Irish language film ever.

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Colm Barrett creates a beautiful film

This film is a wonderful adaptation of the novel ‘Foster’ by Claire Keegan, and this lonely story is brought to life on the big screen in beautiful ways. Director/writer Colm and his team had to recreate rural life in Ireland in the nineteen eighties, and they did so effectively, down to the smallest detail like Bunny Carr on TV producing the show Quicksilver’ (hence the popular expression in Ireland: ‘Stop the lights!’). The use of Irish greatly adds to the atmosphere and authenticity of the film, without a doubt, and shows us that we are able to express things in Irish that cannot be done in the same way in English.

Selection of Actors

Catherine Clinch (twelve years old)’is remarkable in her first screen role as Cáit (nine years old). It’s a very difficult role, because this quiet girl doesn’t have much to say, and she has to use a wide range of facial expressions to tell the story. Despite how young Catherine is and that this is her first role, she demonstrates masterful acting.

Catherine’s family is struggling, surviving from hand to mouth. Worse than that, her father (Micheál Patric) is an alcoholic bully and her mother (Cáit Nic Cononaigh) is overwhelmed with family duties, and is now pregnant again. Cáit and Micheál do a good job as the dysfunctional parents in the film.

They put their daughter in the care of her mother’s cousin, Eibhlín (Carrie Crowley) and her husband, a quiet farmer, Seán (Andrew Bennett), in County Waterford. This is where most of the action in the film takes place, and Eibhlín and Andrew are great as foster parents, providing an exciting and nurturing environment for Cáit for the first time.

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An Plota

The Quiet Girl is set in 1981 in rural Ireland. Cáit is a girl who keeps her emotions suppressed, because her parents don’t care for her or love her, because they are too busy with their own problems. They are barely able to put food on the table, and as a result, they make the decision to leave Cáit with foster parents for the summer. At first Cáit locks her feelings deeper inside, but soon she develops and blossoms with her new family.

Cáit is not the only one who needs some time to adjust to the new lifestyle. Eibhlín and Seán handle it in different ways. Ebhlín welcomes Cáit in with open arms, and she feels immense sympathy for the young girl. But Seán shows a coldness to her at first, and it takes time for him to accept her into his heart. Eibhlín and Seán also have a big secret, but I won’t reveal it here – you have to see the film!

But as a result, Cáit and her foster parents have things to learn from each other as they rediscover what love means.

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Conclusion

Every frame in this truly magical film is a work of art. Kate McCullough did the cinematography for the film. She also did the cinematography on the TV series ‘Normal People’. She draws a stark contrast between Cáit’s family home (dark, gloomy) and her foster family home (bright, clean) to emphasize the plot itself. Together with a wonderful score from Stephen Rennicks, everything came together strongly so that Colm Barréad was able to overlay the story on that framework. I would give this worth-while, special film five out of five stars. If you haven’t already done so, I would recommend you go see ‘The Silent Girl”.

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